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Posts by losafrolatinos

Singer Alex Cuba’s life without limits (Part 2)

2010 Latin Grammy Winner, Singer/Songwriter Alex Cuba seems to be in a really good place in his life right now, a time when he’s operating on all cylinders. He’s married to Sarah, “love of his life”and they have 3 children. His parents are thankful for his success which thrills Alex immensely. His career is blossoming. He has worked with fellow Canadian Nelly Furtado, one of the biggest stars in pop music. Alex wrote 6 of the songs on her first Spanish CD, Mi Plan, released in 2009.

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Singer Alex Cuba’s life without limits, and the father who inspired it (Part I)

During a recent telephone conversation with my dad, he asked me, “What style music does Alex Cuba play?” I was stumped and had a really difficult time defining the sound. I stumbled around trying to answer the question, but really had no answer. Finally, he said, “That’s ok, I’ll look him up.”

Fast forward a few weeks and I’ve learned that Alex Cuba really doesn’t want to be defined by one particular sound or genre. So, when I asked him last week during our interview, “Who is Alex Cuba?” His answer made perfect sense, “Alex Cuba is the inventor but that’s a really big word, but I want to say that Alex Cuba is a genre bending artist who is really hard to pinpoint and box.”

As a singer/songwriter from Cuba, it’s hard to imagine Alex Cuba as anything other than an Afro-Cuban jazz or salsa singer due to the island’s rich musical history. But he’s not. He actually credits his style, which is a concoction of a variety of musical genres (rock, salsa, Latin pop, samba etc), in great extent to his father, Valentin Puentes, and his diverse musical interests and desire for his son to live completely free of limitations.

Cuba says his father has classic taste in music, loved old school Trova music and Cuban standout performers like pianist Compay Segundo, Conjunto Matamoros and the incomparable Beny Moré. Contrast these Cuban musical powerhouses with Puentes’ enjoyment of singing the Beatles in Spanish, listening to Elvis Presley and a year spent teaching music in Angola and it’s easy to understand how Alex Cuba would be so inspired to move freely between musical styles, feeling very at home and comfortable being quite unconventional. Read more

Join us for a Twitter Chat with singer-songwriter Alex Cuba

We’re excited to announce that we’ll be hosting our first live Twitter Chat.

Our guest will be Latin Grammy winner, singer-songwriter, Alex Cuba. Join us for a discussion on his music, life, career, and a chance to win a signed copy of his CD.

Alex Cuba Chat

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Pelotero takes a look inside Dominican baseball

Pelotero is a 77 minute documentary, filmed in 2009 in San Pedro de Macorís. The documentary is a highly entertaining, intimate, inside look at the training and showcasing of these teenage ballplayers.

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An evening with Raúl Villareal, author of Hemingway’s Cuban Son

Raúl and librarians

Raúl Villareal with librarians Edwin Perez and Patricia Vega. Photo courtesy of Mrs. Vega.

Rightly or wrongly, my impressions of one of America’s most revered authors, Ernest Hemingway, has always been one of a larger than life figure with an insatiable appetite for wine, women and cigars.

Interestingly enough, life often affords us opportunities to examine tightly held ideas and perceptions. I had a chance to challenge some of those thoughts about Ernest Hemingway on Wednesday, September 19, at the Main Branch of the Jersey City Public Library.

Celebrating Hispanic Heritage Month, librarians Edwin Perez and Patricia Vega hosted New Jersey author and artist, Raúl Villareal. His presentation, “Hemingway on the Hudson” was based on the book he co-authored with his father, Hemingway’s Cuban Son. The memoir recounts the decades in which Raúl’s father, René Villareal, faithfully served as Hemingway’s mayordomo (butler). Read more

Afro-Brazilian Executive Chef Creates Passion with Fresh Flavors

Our September article for Being Latino focuses on Amali’s Executive Chef Nilton Borges, Jr., an Afro-Brazilian from Rio de Janeiro.

chef borges

Executive Chef Nilton Borges, Jr.

In life, we know expectations count. They shape how we live, the choices we make and the dreams we allow ourselves to pursue.

“When people come here and see me and Junior (Chef Borges) coming from the kitchen they are like “Wow.” I think they expect to see Gordon Ramsey (a British chef).” Martell Fonville, Amali Restaurant Sous Chef, was referring to some diners being surprised seeing an Afro-Brazilian and African-American at the restaurant’s helm.

Amali Restaurant’s Executive Chef Nilton Borges, Jr, an Afro-Brazilian from Rio de Janeiro, has high expectations for himself, his cuisine and his mission to serve locally sourced, flavorful food. Read more

What it Means to be Afro-Latino in Philadelphia – A Conversation with Sandra Andino

As an Afro-Latina and Director of Education at Philadelphia’s Taller Puertorriqueño (Taller), Sandra Andino is always looking for ways to educate her community about being Afro-Latino.

In 2011, she developed a very successful photography exhibit, What Does It Mean To Be Afro-Latino in Philadelphia: Stories From El Barrio. For three months, from February – April 2011, poster-sized black and white photos stood tall in Taller’s Education Building, drawing large crowds and lots of buzz in Philadelphia, PA, the City of Brotherly Love.

Sandra Andino sat down with Los Afro-Latinos to talk about discovering her identity, what it means to be an Afro-Latina in Philadelphia and to talk about the next phase of her exhibition.

Emilio Tapia

Emilio Tapia: Puerto Rican, Bomba Percussionist and Youth Advocate/Educator.

Los Afro-Latinos: What did it mean to be Afro-Latino in Puerto Rico when you were growing up? What did you learn about being Puerto-Rican, of African descent while growing up in Puerto Rico?

Sandra Andino: I didn’t know what it meant. I knew I was Puerto Rican and I knew I was black, but I didn’t know what it meant to be Afro-Latino. I based my identity, for a long period of time, just on my nationality. My parents are from Puerto Rico and are Latino. So I didn’t think being black was an issue.

During my childhood was when I realized that being black and being Afro-Latino in Puerto Rico…there was something different about me. I just couldn’t clearly articulate it, until I was in high school and my first years of colleges. It wasn’t like I had this big awareness of what it meant to be Afro-Latino.

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Roberto Custódio and Fight for Peace Pack Powerful Punch

The London Olympics ended a little over a week ago. And now that the torch has been extinguished, the athletes have returned home and venues are being repurposed, all eyes are on Brazil as Rio de Janeiro prepares to host the 2016 Summer Olympics.

Undoubtedly, Rio is stunning. Considered one of the world’s great playgrounds, it’s an incomparable city. Rio often seems postcard perfect – bathed in bright sunshine, blue skies and tropical rainforests. It’s home to the pulsating rhythms of samba and “beautiful people,” enjoying the beaches of Ipanema and Copacabana. However, there is another side to Rio that’s less glamorous and often tragic – its favelas – the slums perched high above the city, often occupying prime Rio real estate. Favelas have become synonymous with violence; random, unpredictable and yet expected. Case in point, 23 year old Afro-Brazilian Roberto Custódio. Roberto grew up in Complexo do Maré one of the most dangerous favelas in Rio. When he was 13, he witnessed his father’s death by one of the favela gangs. The tragic death left him devastated. Read more

Giveaway: ChocQuibTown DVDs!

choc quib town

After interviewing Goyo, lead singer of the Afro-Colombian band, ChocQuibTown (CQT) for a guest post on Being Latino, we thought a giveaway was in order.

The Latin Grammy winning band was kind enough to give us six  copies of ChocQuibTown: Live from Gurten. Here’s your chance to take CQT home!

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Introducing Alejandro Fernández: Afro-Bolivian Activist

Imagine being just 17 years old when your mother dies. Your entire life transformed in 24 hours.

Before her death, she’d been raising you and your two siblings alone. You take her to a hospital to be treated. And the doctor denies her care, not because her condition was incurable but because you are unable to pay the cost of her treatment.

That’s exactly what happened to Alejandro Fernández Gutiérrez. At the hospital, before his mother could receive care, he was asked for $100 (approximately 700 Bolivianos). Unfortunately, he did not have the money to save his mother’s life. Nor did Alejandro’s family have health insurance which was unavailable to Afro-Bolivians. At this time in Bolivia’s history, Afro-Bolivians were not recognized in the country’s constitution.

We needed help from the system, but the system wouldn’t respond to us,” says Alejandro.

Alejandro bundled on his mom’s back, sister seated. Photo courtesy Alejandro Fernández.

So his mother, Elena, described as a kind and peaceful woman, who had been cleaning houses since she was nine years old died that fateful day.

That was the day when I decided to do something for my country and that was the day I changed my whole life and my whole perspective,” says Alejandro.

Since then, Alejandro has earned recognition from the United States Department of State and The Bureau of Education and Cultural Affairs. He’s published works on HIV/AIDS prevention and graduated from the University of San Andres (Bolivia) with a degree in Social Sciences. At 26 years of age, nearly a decade after his mother’s death, Alejandro is a prominent voice advocating for Afro-Bolivians and a human rights activist.

Although his mother’s death inspired him with a new outlook, changes didn’t happen overnight. Alejandro was hesitant to join the Afro-Bolivian movement, along with his uncle.
I remember mentioning that I couldn’t join because I wasn’t Afro. I told him, ‘I’m not black enough to be in the group,’” says Alejandro, who saw himself as a mix of races because his father is Aymara Indian (one of Bolivia’s indigenous ethnic groups) “For me, to be black in a country where discrimination happens because of your color…I didn’t want to be a target.”

However, Alejandro was becoming increasingly interested in his mother’s culture – a culture she never knew.

He started by participating in workshops and festivals. He was 18 when he was featured on a Bolivian reality TV show. On the program, he was asked to dance, “Something like Saya, but stylized like Caporales, Tundiqui, Negritos or Sambos,” says Alejandro. “I said, ‘No, I will dance Saya even if it’s not commercial enough.’” (Saya is a folkloric dance and musical tradition performed by Afro-Bolivians. It fuses African percussions with Andean instruments.)

When the program was over many people associated me with Saya and the voice of Afro Bolivians because I mentioned cities of The Yungas,” says Alejandro. (The Afro-Bolivian population is concentrated in a region called Los Yungas, 55 miles north of Bolivia’s capital, La Paz.)

While gaining recognition as an advocate for Afro-Bolivians, Alejandro began university studies. He was the only Afro-Bolivian in his class. The only other Afro-Bolivian, at the college, was a female professor.

Alejandro with his mom after winning first scholarship. Photo courtesy Alejandro Fernández

She told me, ‘You are getting better education, you can lead the movement and be a model for your generation,’” Alejandro says of Professor Monica Rey. “Those words really touched me.”

Alejandro attended meetings and protests with the faculty. With Professor Rey, Alejandro was invited to meetings with The United Nations, Human Rights Commission and Bolivia’s Parliament.

I realized that those people did not have any idea of the needs we [Afro-Bolivians] had and they did not even know how many Afros there were in the whole country,” says Alejandro. “They needed to know and understand our needs. I had personal experiences and they could learn from that.”

He felt compelled to share the lack of treatment his mother was provided at the hospital as well as the discrimination she experienced in her daily life.

Alejandro describes his mother, Elena, as dark-skinned with short coarse, coily hair. She was so tall and her hair was so short that people on the street would sometimes call her a “señor.” They would also call her “El otro, (The other)” because they hadn’t seen a black person before. Alejandro’s mother suffered daily humiliation, even falling victim to the local discriminatory act of pinching.

When people see a black person, they pinch themselves because they believe it brings good luck, “ says Alejandro. The act stems from slavery. Indigenous people pinch themselves as a reminder that when Africans were brought to Bolivia as slaves, their presence alleviated some of the discrimination and hard labor that had been previously performed by the indigenous population.

That’s probably why we didn’t go out too often,” says Alejandro. Even going to a hotel or restaurant was a struggle. “They didn’t believe that a black woman or indigenous people could have money to pay for their meal in a restaurant.”

But this was the culture in Bolivia. When Alejandro was growing up, Bolivian children weren’t even taught about slavery in schools. It was almost as if Africans just showed up one day. The connotation was that being Afro meant being a slave, being “el otro.” The country had created an atmosphere in which Afro-Bolivians and indigenous people were not only inferior, but also invisible. They had no rights, no insurance and little access to education.

I knew what had happened to me wasn’t the only [incident]. I had friends who were Aymara and the same thing happened. Their mothers died because they didn’t have insurance,” says Alejandro who also knew stories of young boys and girls who died of Hepatitis B without access to a hospital because they did not have money for treatment. “What happened wasn’t an isolated case.”

Fueled by these struggles, Alejandro has worked to better the lives of Afro-Bolivians and Bolivia’s indigenous populations. He worked with The Bolivian Foundation for Multiparty Democracy, The United Nations Population Fund (UNFPA) whose mission is to promote the right of every individual to health and equal opportunity, and other organizations. He has also written articles and has become an advocate for HIV/AIDS prevention and education.

For five weeks, Alejandro interned with Peace and Culture in the American Embassy in Bolivia, working for Silvia Dáttoli. He developed two projects – “Juventud, Identidad e Integracion en la Diversidad (Youth, Identity and Integration in Diversity)” and “Manos para el Desarrolo (Hands for Development)” – that were widely successful and received tremendous amounts of attention.

Alejandro at Arcadia University. Photo Courtesy Alejandro Fernández

Alejandro is currently a graduate student and Fulbright Scholar at Arcadia University, Glenside, Pennsylvania. He is studying International Peace and Conflict Resolution. And when he’s not studying, Alejandro writes regularly for the “We of the Saya” blog with friend and filmmaker Sisa Bueno. (see Sisa’s Story)

Alejandro & Filmaker Sisa Bueno

In the ten years since his mother’s passing, Afro-Bolivians have helped to craft a new Bolivian Constitution, which includes the most basic of human needs – recognition. Alejandro agrees that Bolivia’s President Evo Morales has worked to change perceptions about Aymara Indians and Afro-Bolivians, particularly in the field of education. However, Alejandro notes that President Morales still has work to do in many fields to help improve the lives of both groups, including access to health care. And while there’s still a lot of work to be done, the benefit of having Alejandro as an advocate for the community cannot be overstated.

After graduation, Alejandro is weighing the possibility of working at UNFPA or the United Nations. Or, maybe even Bolivia’s Department of Justice. While he’s not certain where he’ll work next, Alejandro knows one thing for sure, “This world needs leaders and I am one of them.”