Skip to content

Afro-Uruguay: Forward Together

Atlantida llamadas 3

Our March article for Being Latino focuses on Afro-Uruguay: Forward Together, a documentary film dedicated to capturing the Afro-Uruguayan experience.

Through the lens of the video camera, two U.S. filmmakers immerse themselves and their family in Uruguay, capturing history as a small country tackles a big issue.

I have a deep fascination and profound interest in Afro-Uruguayan culture. Perhaps, this desire to know more is because I know so little about the country many call South America’s best kept secret – Uruguay.

Through pure serendipity, I stumbled across a beautifully written blog entry, “Uruguay, Mon Amor” by Carolina de Robertis. As a Californian of white Uruguayan parents, Carolina expressed her sorrow about the recent beating of an Afro-Uruguayan activist Tania Ramirez by a white Uruguayan. The violent exchange has sparked a national discussion in Uruguay regarding race.

Carolina, author of two critically acclaimed books and her spouse, African American filmmaker Pamela Harris, have relocated their family to Montevideo, Uruguay. The couple is dedicating 2013 to chronicling through the film the wide-ranging Afro-Uruguayan experience. The genesis of the film, Afro-Uruguay: Forward Together was sparked by the California couple’s 2004 honeymoon to Uruguay and an introduction to Candombe during a Llamada (The Call). Candombe is a musical experience originating from the Bantu people of Africa who were enslaved in Uruguay. Percussionists play three large curved, barrel shape drums (repique, chico and piano).

During a Llamada, percussionists, artists, dancers and people from the community drum rhythmically moving from one neighborhood to another, responding to “The Call.”


Today, Candombe has moved mainstream and become synonymous with Uruguayan culture. But this growing acceptance was years in the making. Candombe’s roots date back more than 200 years to Afro-Uruguayans who were enslaved and prohibited from practicing their religion and culture. The drum became a medium of connection, communication and resistance. Carolina explains the magnificence of witnessing Candombe during a Llamada, “Sixty or 70 drummers together, walking on the street, people spilling out into the streets following the drums with incredibly interlocking polyrhythms. So many people drumming together, on the streets, under the sky, it’s unbelievably powerful.” In the film, Beatriz Santos, an Afro-Uruguayan defines Candombe as “… a way of opening doors; a way of life, a unique world, a voice, a memory.”

Read the full article on Being Latino.

You can also help fund the creation of this documentary by donating any amount you can over on Iris Films.

This slideshow requires JavaScript.

About these ads
5 Comments Post a comment
  1. It is amazing how Africans were kidnapped and spread aroung the Americas. I would live to visit some day.

    March 23, 2013
  2. Thanks so much for taking the time to talk with us about the project, Kim. It was a pleasure! We have an update on where we are in production complete with a slide show and interactive map. We´d love to hear what folks think so far. http://bit.ly/10PmouW

    April 9, 2013
  3. wow very interesting…I had no idea about the existence of Black Uruguayans, you taught a brotha something! Keep up the good work and educating us about these small black pockets of white Latin America

    April 18, 2013
  4. ok I will check you :)

    April 25, 2013

Share your thoughts

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

Follow

Get every new post delivered to your Inbox.

Join 833 other followers

%d bloggers like this: